Live audio in renoise4/16/2023 ![]() ![]() Doepfer Regelwerk-MIDI analog sequencer with MIDI controller.Doepfer MAQ 16/3-MIDI analog sequencer, designed in cooperation with Kraftwerk.Quasimidi Polymorph (1999) has built-in step sequencer with a series of value knobs (bottom) These analog-digital hybrid machines are often called "Analogue-style MIDI step sequencer" or "MIDI analogue sequencer", etc. These often equip CV/Gate and DIN sync interface along with MIDI, and even patch memory for multiple sequence patterns and possibly song sequences. Since the analog synthesizer revivals in the 1990s, newly designed MIDI sequencers with a series of knobs or sliders similar to analog sequencer have appeared. Yamaha CS30 (1977)-monophonic synthesizer keyboard with built-in 8-step analog sequencerĪnalog-style MIDI step sequencers.MFB Urzwerg / MFB Urzwerg Pro-CV/Gate step sequencer with 8steps/4tracks or 16steps/2tracks also synchronizable with MIDI sequencer.Moog 960 Sequential Controller / 961 Interface / 962 Sequential Switch (c.1968) A popular analog sequencer module for the Moog modular synthesizer system, following the earliest Buchla sequencer.Later, Robert Moog admired Buchla's unique works including it One of the earliest analog sequencers of the modular synthesizer era since 1960. Moog 960 Sequential Controller and 962 Sequential Switch Polyphonic sounds were obtained using multitrack recording technique. Oramics (1957) by Daphne Oram-hand drawn contours on a set of ten sprocketed synchronized strips of 35 film were used to control various parameters of monophonic sound generator (frequency, timbre, amplitude and duration).Composers could control the time evolution of amplitudes of each microtone via scratches on a glass plate user interface covered with black mastic. ANS synthesizer (1938-1958) by Evgeny Murzin-an earliest realtime additive synthesizer using 720 microtonal sine waves (1/6 semitones × 10 octaves) generated by five glass discs.Composer-Tron (1953) by Osmond Kendal-rhythmical sequences were controlled via marking cue on film, while timbre of note or envelope-shape of sound were defined via hand drawn shapes on a surface of a CRT input device, drawn with a grease pencil.Variophone is often referred as a forerunner of drawn sound system including ANS synthesizer and Oramics. Variophone (1930) by Evgeny Sholpo-on earliest version, hand drawn waves on film or disc were used to synthesize sound, and later versions were promised to experiment on musical intonations and temporal characteristics of live music performance, however not finished.Oramics (1957) controls sounds by graphics on films Siemens Synthesizer (1959) at Siemens-Studio für elektronische Musik.Included a 4-polyphony synth with 12 oscillators, a sequencer fed with wide paper tape, with output recorded by a disc cutting lathe. RCA Mark II Sound Synthesizer by Herbert Belar and Harry Olson at RCA, a room-filling device built in 1957 for half a million dollars.Punch tape system for earliest studio synthesizers.Music roll for pneumatics system - utilized on player pianos (using piano rolls), Orchestrions, several mechanical organs, etc.Book music (since 1890) for pneumatics system - utilized on several mechanical organs.Metal disc with punched holes (late 18th century) - utilized on several music boxes such as Polyphon, Regina, Symphonion, Ariston, Graphonola (early version), etc. ![]() Barrel or cylinder with pins (since 9th or 14th century) - utilized on barrel organs, carillons, music boxes.The following are specifically designed to function primarily as the music sequencers: Many synthesizers, and by definition all music workstations, groove machines and drum machines, contain their own sequencers. ( October 2011) ( Learn how and when to remove this template message) Unsourced material may be challenged and removed. Please help improve this article by adding citations to reliable sources. This section needs additional citations for verification. ![]()
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