Theme of pinocchio story4/5/2023 ![]() “Saving Geppetto” begins with Pinocchio attempting to save Geppetto from drowning. “Everything is new to him in the workshop, but then everything is new to him outside the workshop… Going to town is like going around the world, it’s a real adventure.” The “question” is posed by the woodwinds and the “answer” comes from the strings, creating the upbeat rhythm of an inquisitive child experiencing the world for the first time. As Geppetto says that they need to work, Pinocchio exclaims that he loves work, before asking what work is in a questioning tone of childlike wonder. ![]() “It’s a bit of continuity to the first song he sings, ‘Everything is New to Me’,” he says. “He’s happy to do anything that brings him out in the world and opens him up to discover what is out there.”ĭesplat wrote the theme in a “question and answer” format, as a child questioning the world and receiving answers from their parent. “Anything is an adventure for Pinocchio,” he says. “Pinocchio is a free spirit,” says Desplat, “he’s not innocent because he likes to do things that maybe don’t sound innocent, but he is a free spirit.” The theme changes as Pinocchio sees the poster for Volpe’s circus, but changes once more as Pinocchio is called back by his father. ![]() “Going to Town” is a more adventurous and playful part of the score, as Pinocchio leaves home to accompany Geppetto to town. I didn’t want to sound bombastic because it had to stay constrained to the frame of the film.” “Little by little, it expands the sound, but never too much. “The strings come in slowly with the harp and then the woodwinds join with the flutes and the clarinet,” he says. Desplat played the song for del Toro on the piano at first, then began to incorporate more instruments. “It’s between a lullaby and a love song,” he says, which gives it a nostalgic feeling as the theme both celebrates the life and mourns the loss of Carlo. “‘Carlo’s Theme’ is actually Pinocchio’s theme.”ĭesplat decided to start with something reminiscent of a children’s lullaby, but give it a more sophisticated chord progression. “Pinocchio is the creature created to give birth to Carlo again,” he says. When Desplat first wrote the piece, he intended for it to underscore Pinocchio as well as Carlo. ![]() “The loss of a child is something absolutely tragic and difficult to overcome,” he says, “but when you remember the child, you remember good moments, beautiful moments of joy and happiness, not just the grief.” For this scene in the film, “Carlo’s Theme” comes back to mark another instance of Geppetto dealing with the loss of his son. The theme, which reprises throughout the score, is important to achieve the “joyous melancholy” that Desplat and del Toro wanted for the story. “It was crucial for me to find that theme before the melody, before I could develop and find other ideas,” he says. “Carlo’s Theme” was the first piece of the score that Desplat wrote. ![]()
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